BJCEM, Torino

BJCEM, Torino

Nemanja Cvijanovic - The sweetest dream, 2005
 (at Oval Lingotto)

Nemanja Cvijanovic - The sweetest dream, 2005
(at Oval Lingotto)

Patrizio di Massimo. Faccetta Nera, Faccetta Bianca. 2010

Patrizio di Massimo. Faccetta Nera, Faccetta Bianca. 2010

blackcontemporaryart:

Peripeteia, John Akmofrah, 2012
HD video, colour, sound, 18:12 minutes.



Peripeteia takes as its starting point two drawings by the sixteenth century artist Albrecht Dürer. The portraits are among the earliest Western representations of black people, their existence now “lost to the winds of history”.


A Smoking Dogs Films Production, in association with Carroll/Fletcher and the European Cultural Foundation

blackcontemporaryart:

Peripeteia, John Akmofrah, 2012

HD video, colour, sound, 18:12 minutes.

Peripeteia takes as its starting point two drawings by the sixteenth century artist Albrecht Dürer. The portraits are among the earliest Western representations of black people, their existence now “lost to the winds of history”.

A Smoking Dogs Films Production, in association with Carroll/Fletcher and the European Cultural Foundation

visual-poetry:

“kommen und gehen und” by timm ulrichs
gehen ~ go, walk

visual-poetry:

“kommen und gehen und” by timm ulrichs

gehen ~ go, walk

finelinemagazine:

Loved seeing this blog post about our Issue Four artist David Maisel and we just had to share it:

artandsciencejournal:

David Maisel: Library of Dust

New York City based artist David Maisel brings our attention to ethics and aesthetics in a most sublime way. His most recent project titled Library of Dust is a series of photographs of unclaimed and forgotten copper canisters containing the cremated remains of patients from a state-run psychiatric hospital. 

The science behind these eery though beautifully aged canisters lies in the copper, as it goes through chemical transformation due to prolonged contact with it’s contents. The outcome is striking enough, but it’s possible that the pull between matter and spirit is what makes this series so fervent. What we’re dealing with here is a conflict of sorts. We have these colorful, blooming canisters almost calling for our visual attention; however, time was ever necessary in the process of this chemical transformation, some urns having sat unclaimed by family since 1883. Thus to the surface also rises themes of neglect, remiss, and more impatiently, our own mortality. 

Maisel comments on the library in which these are canisters are numbered from 01 to 5,118: “Imagine the many separate fates that led these thousands of individuals to this room. What combination of choice and chance, of illness, of representation and misrepresentation, an infinite number of slippages multiplied more than three thousand times over, circumscribes this room, this library.”

The artist also poses the question: is it possible that some form of spirit lives on? 

- Jess Petrella


Srovnání by Jaroslav Vávra, 1969

adeola:

Srovnání by Jaroslav Vávra, 1969

adeola:

(Source: foxesinbreeches, via beyondneptune)

iper-self-portrait [project]
#SimoneTosca (Scattata con Instagram)

iper-self-portrait [project]
#SimoneTosca (Scattata con Instagram)

a tribute to: Massimiliano Pelletti (di francesconiclaudio)